在中国古代艺术系统中,诗、书、画三位一体,形成一个统一的结构形态,成为中国文人艺术的主导门类。其中书与画的关系更为密切。所谓“书画同源”、“书画用笔同法”,几乎是自古以来的定论。在艺术、美学发展长河中,二者发生了密切的相互影响关系。对这个问题的研究,将有助于深入把握书、画艺术的本质特征,从而进一步认识中国古代艺术精神。 In the ancient Chinese art system, poetry, books and paintings became a monolithic structure that became the dominant category of Chinese literati art. The relationship between book and painting is more closely. The so-called “homology of calligraphy and painting”, “calligraphy and painting with the same law”, is almost the conclusion since ancient times. In the long history of the development of art and aesthetics, the two have had close mutual influence. The research on this issue will help to grasp the essential characteristics of book and painting art in order to further understand the spirit of ancient Chinese art.