“虚实相生”是中国传统艺术中一个重要的美学原则。清初笪重光在《画荃》中说:“虚实相生,无画处皆成妙境。”汤贻汾在《画荃析览》中说:“人但知有画处画,不知无画处皆画,画之空处全局所矣,即虚实相生法。”这些话虽说的是绘画,其实也适用于中国园林。其一,指由园林的实体与 “Fragrance between reality and reality” is an important aesthetic principle in Chinese traditional arts. In the beginning of Qing Dynasty, he said: “The actual situation does not exist everywhere,” said Tang Yi-fen in “Painting the Tsuen Review” and said: “But people know that there is a painting, Painting, painting the empty space at the end of the whole, that is, the actual situation of the law. ”Although these words are paintings, in fact, also applies to Chinese gardens. First, referring to the garden entity