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我只读过孙月霞的两个剧本:1984年在济南看山东梆子《画龙点睛》,此时还不识她;1989年在京看豫剧《司文郎》。深感孙月霞不仅是青年剧作家中的佼佼者,而且是有胆有识有才的奇女子。记得我们初见很富有戏剧性:我回京登车前,到一位朋友家告别,适月霞在,主人绍介,我赞扬了《画》剧几句,不想她竟呜咽而泣:虽此剧获全国剧本优秀奖,她却很不满足,恨自己没写出更多更好的剧本;叹笔耕写剧之艰辛。我不及慰劝,匆匆告别而去。此时她才三十出头。
I only read Sun Yat-xia’s two plays: In 1984, I went to Shandong to see the shuttlecock in Shandong. I did not know her at this time. In 1989 I was watching the opera “Secretary Wen Lang” in Beijing. Deep Sun Yuexia is not only a leader among young opera writers, but also a bold and talented woman. I remember we first saw very rich drama: I returned to Beijing before boarding, to a friend’s house to say goodbye, suitable Xia, the host introduced, I commended the “painting” a few words, do not want to cry she sobbed: Although this drama Won the National Screenplay Award, she was very satisfied, hate myself did not write more and better script; sigh pen farming difficult. I can not comfort, hurriedly bid farewell. At this moment she was in her early thirties.