我近年已经很少看戏,年老体弱,记忆衰退,尚有自知之明。然而听到新戏出现,总还心动。去年12月在厦门举行的第十一届中国戏剧节,半个月中集中了28台剧目汇演,声势浩大,是一个强力磁体,当然就被吸住,于是集中精力,全部看完。28台戏,剧种多,品类繁,题材广,样式风格各有不同,确实称得上百花齐放。看后相当兴奋,颇有所感也有微词,写不成系统大论,只得信笔所至,杂陈如下,是为随想。本届戏剧节,我感到有一个无形却又明显的可喜倾向:好几个剧种的剧团的演出,都想在某一方面有所突破,有所创新。比如总政歌剧团《太阳雪》将民族唱法同美声唱法结合在一起;比如总政话剧团《毛泽东在西柏坡的畅想》运用了政论剧的体裁;上海的《梅兰芳》用话剧写京剧大师,试图把话剧同京剧融合为一;比如台湾的《呐喊窦娥》完全用新潮荒诞的话剧手法改编元杂剧;比如台湾京剧《金锁记》的浓重话剧气味和新的导演手法;比如厦门《停一停,等等我们的灵魂》的新鲜演出样式和舞美设计;比如北京京剧《浮生六记》走小剧场淡雅路数;比如浙 I have seldom watched the movies in recent years. I am old and frail and memory is in recession. However, the new drama appears, the total also heartbeat. In December last year, the 11th Chinese Theater Festival in Xiamen held 28 rehearsals in half a month. It was a mighty magnet and of course it was absorbed. So I concentrated on it and read it all. 28 sets of plays, more drama, variety of categories, the theme of wide, style and style are different, indeed called hundreds of flowers bloom. Very excited to see after, quite a sense of there are some insignificant, can not write a systematic theory, only letter Pen, miscellaneous as follows, is for thought. This Theater Festival, I feel an invisible but obviously gratifying tendencies: the troupe of several operas, performance, want to have a breakthrough in some aspects, some innovation. For example, the General Political Repertory Group “Sun Snow” combines national singing with vocal singing; for example, the General Political Repertory Theater “Imagination of Mao Zedong in Xibaipo” uses the genre of political drama; Shanghai’s “Mei Lanfang” For example, Taiwan’s “Dou Dou Dou” entirely with the trendy and absurd dramas adapted Yuan drama; such as Taiwan Peking Opera “Golden Lock” heavy drama smell and new director techniques; such as Xiamen “Stop a stop, wait for our soul,” the new performance style and Wu Mei design; such as Beijing Peking Opera “Floating Life” take a small theater light elegant number; such as Zhejiang