当代社会是一个视觉导向的社会,这在景观话语中尤为明显。自文艺复兴时代以来,一种根植于主客对立本体论和透视的观念逐渐建构起来,在这种观察模式中,观察者是一个从被观察的世界中分离出来的点,并与世界保持某种控制、描述、再现的关系,这意味着分离和旁观,也意味着表现和认同。对这一观念的深刻反思,事实上是过去数十年来西方文化地理学 Contemporary society is a visually oriented society, especially in landscape discourse. Since the Renaissance, a concept rooted in the opposition of subject and object to ontology and perspective has gradually been constructed, in which the observer is a point separated from the observed world and maintains a connection with the world Control, description, reproduction of the relationship, which means separation and bystander, also means performance and identity. The profound reflection on this notion is in fact Western cultural geography in the past few decades