近百年的中国画经历了传承、变异、断裂、转型、拓展的种种命运,围绕中国画所发生的全部争端,实质上是一个引进西方文化与保持民族传统相斥相合的过程,大师的相对缺席与中国画整体乏善可陈乃是不争的事实。中国画经历了将科学与民族奉为绝对神旨和对本民族的病灶矫枉过正以及及将传统的民族文化根脉一刀两断的阶段,一直在科学和意识形态间进退维谷。随着中国经济总量和综合国力明显提升,这 Nearly one hundred years of Chinese painting has undergone various fates of inheritance, variation, rupture, transformation and expansion. In essence, it is a process of introducing Western culture and keeping the national tradition repulsive and co-ordinated. The relative absence of masters and Chinese painting The overall lackluster reality is an indisputable fact. Chinese painting has undergone a phase of categorizing science and nation as an absolute object, overcorrecting the lesion of its own nation and breaking through the traditional roots of national culture. It has always been in a dilemma between science and ideology. As China’s total economic output and overall national strength have clearly risen, this