在王骥德的曲论中,“本色”概念的内涵主要是曲辞风格的质朴通俗。但因王氏部分“本色”话语自身的模糊性,加之研究者脱离具体文本情境与时代语境的误读,便又衍生出雅俗相济之义,并以之为王骥德“本色”论的特异之处;又因王骥德对本色问题的重视及其曲坛巨擘的地位,这一误读甚至影响到我们对明清曲论中“本色”概念的正确理解。鉴于此,本文主要以文本细读和语境还原的方式, In Wang Ji-de’s theory of music, the connotation of the concept of “color” is mainly the simplicity and simplicity of the style of the song. However, due to the fuzziness of the discourse itself and the misunderstanding of the researcher from the context of specific texts and the context of the times, Wang’s “righteousness” “On Wang Qide’s emphasis on the issue of color and its position as the giant of music, this misreading even affects our correct understanding of the concept of ” character "in the theory of music in the Ming and Qing Dynasties. In view of this, this article mainly to text reading and contextual restoring way,