作为历代忠节之士的代表「遗民」每在易代之际都是一个强烈的符号影响到历史文化的发展。明清鼎革之际,大批具有「故国情怀」的遗民选择归隐或于朝或于市或于野以诗词绘画遣兴却从另一方面成就为推动历史的大家。以画坛观,著名的「四王」之王时敏、王鉴,「四僧」之八大、髡残,金陵派代表龚贤,常州派代表恽寿平,「南陈北崔」之陈洪绶、崔子忠,「新安四家」 As a representative of the loyalists of all ages, “descendants” each have a strong symbol on the occasion of its coming into the country that affects the development of history and culture. In the Ming and Qing dynasties, a large number of the descendants of the “homeland sentiment” chose to return to their homeland or draw poems in the city or in the wild. However, on the other hand, they succeeded in promoting history. In view of the painting scene, the famous king of the four kings, Shi Min, Wang Jian, the fourth of the four monks, the disabled, the Jinling representatives Gong Xian and the Changzhou representatives Dai Shouping, Chen Hongshou of Nan Chen Bei Cui, Cui Zi Zhong, Four "