篆刻艺术学,即关于篆刻艺术的理论,在其诞生之初便与“印式”这一概念血肉相连。从艺术学的立场,我们可以为这一概念作界定:印式,作为篆刻艺术形式的规定或原则,是艺术家在长期观照古代玺印的过程中逐渐形成,是艺术家基于中国传统艺术观念对古代实用玺印形式的自觉选择,是艺术家对篆刻这一独特艺术形 Seal carving art, that is, the art of seal cutting theory, at the beginning of its birth and “Indian ” the concept of flesh and blood. From the standpoint of artistry, we can define this concept: the style of the seal, as the rule or principle of the art form of carving, is gradually formed by the artist in the process of long-term contemplation of the ancient seal printing. It is also the reason why the artist, based on the traditional Chinese art concept, Practical printing of the form of the conscious choice is the artist’s seal carving this unique art form