近年来,随着盆景事业的迅猛发展和人们对精品盆景的追求,柏树盆景的造型技法有较大突破,取得了较好的效果。当然也有一些让人遗憾的问题。比如,贪大求怪而功力不足,密叶虚景而技法不到,片面舍利而厚重不够等。近日,得观盆景艺术大师王选民创作的《身从闲云》,赞叹之余,觉得有些地方很值得玩昧与思考。一、选材与审美取向选材是盆景创作的第一关,也是很有学问的一关。有人认为,得一好桩,就成功了七分,虽有些偏颇,但也从一定程度上说明了选桩的重要性。如何从自然界千奇百怪的桩材中间,选出有特色、有前途的好桩材,是我们最关心的问题。 In recent years, with the rapid development of bonsai business and people’s pursuit of fine bonsai, cypress bonsai modeling techniques have made a major breakthrough, and achieved good results. Of course, there are some regrettable problems. For example, greedy and lack of skill, blurred leaves imaginary and skills are not, one-sided relics and not heavy enough. In recent days, admire bonsai art master Wang Xuanmin creation “from the clouds”, praise, I think some places are worth playing ignorance and thinking. First, material selection and aesthetic orientation Material selection is the first bonsai off, is also very knowledgeable. Some people think that get a good pile, it succeeded seven points, although some biased, but also to some extent, the importance of selecting piles. How to select the unique and promising good piles from the middle of all kinds of piles in nature is the most concern to us.