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近百年来,中国画家们共同演绎着传统绘画向现代转型的文化运动,其中长安画坛是位于西部的重要舞台。20世纪中叶,以赵望云、石鲁为代表的老一代艺术家在这舞台上演出了“长安画派”的精彩剧出。古老的长安画坛不仅由于他们的存在而终结了近千年的沉寂得以复兴,并且以其独有的艺术追寻和西北地域的人文性格在中国画坛独树一帜。当他们悲壮地将辉煌的舞台逊让于新一代长安画家的时候,也为新兴的长安画坛遗留下一笔遗产、一种新的传统。人们的目光亦随之移向接
For nearly a hundred years, Chinese painters have jointly interpreted the cultural movement of traditional painting to the modern transformation. Among them, Chang Painting Festival is an important stage located in the west. In the middle of the 20th century, the older generation of artists represented by Zhao Wangyun and Shi Lu performed “Great Chang Painting School” on this stage. The ancient Chang’an painting altar not only revived the silence of nearly a thousand years due to their existence, but also unique in the traditional Chinese painting circles with its unique art pursuit and humanistic character in the northwestern region. When they tragically throw a glorious stage onto the new generation of Chang’an painters, they left behind a legacy and a new tradition for the emerging painting scene in Chang’an. People’s eyes also move to pick