三月,约翰·斯特劳斯的《春之声》萦绕蓉城。贝多芬、舒伯特、柴可夫斯基、德沃夏克,以及中国的朱践耳等的交响作品,从陈燮阳的指挥棒下流泄而出。锦城艺术宫少见的座无虚席,握手、签名者将陈燮阳团团围住,场面激动人心。面对为他倾倒的观众,陈燮阳感慨地对记者说:中国需要交响乐,走到哪里都有热情的观众。他还介绍说:交响乐具有深广的思想内容,它可 In March, John Strauss’s Voice of Spring linger in Chengdu. Beethoven, Schubert, Tchaikovsky, Dvorak, and Zhu Jian’er, China’s symphonic works, flowed out under the command of Chen Xieyang. Jincheng Art Palace rare all-inclusive, handshake, the signatory Chen Xieyang surrounded by groups, the scene exciting. In the face of the audience he dumped, Chen Xieyang sighed with emotion to reporters: China needs symphony, wherever there is a passionate audience. He also said: Symphony has a profound ideological content, it can