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任宏恩是20世纪中后期著名的豫剧表演艺术家,他在长达半个多世纪的舞台表演中,塑造了一系列成功的艺术形象(尤其是丑角形象),为观众奉献了《人欢马叫》《倒霉大叔的婚事》《我爱我爹》等一系列农村题材经典现代戏。本文以《倒霉大叔的婚事》为例,从三个方面对任宏恩先生所塑造的“丑角”艺术新形象进行分析,以期让大众更好地认识和了解这位豫剧表演艺术家及其所塑造的艺术形象。
Ren Horn is a famous opera performer in the late 20th century. He has created a series of successful artistic images (especially clown figures) in the stage performance of more than half a century, dedicated “audiences” “Unlucky uncle’s marriage” “I love my father” and a series of classic modern drama in rural areas. This article takes the example of Unlucky Marriage as an example to analyze the “Harlequin” new image created by Ren Huan En from three aspects in order to let the public better understand and understand this opera performance artist and its shape Artistic image.