记得多年前在大学本科时期的写意人物画课上,中国美术学院吴宪生教授的一本八开画册,以其精审的造型和灵动的笔墨成为同学间传阅研讨的范本。彼时对于国中水墨人物画的状况尚缺少深入的体察,对于吴教授其人亦并无深知,对于人物画何以判其甲乙尤不甚了了。而吴教授的画作之成为诸子临学的对象,盖其艺术之品质使然也。 I remember many years ago in the liberal arts college undergraduate painting class, the Chinese Academy of Arts Professor Wu Xian-sheng an eight album, with its careful examination of the shape and smart ink became a model for discussion among students. At that time, there was a lack of in-depth insight into the situation of the ink painting figures in the middle school. There was no clear knowledge of Professor Wu and there was no clear understanding of the figure painting. Professor Wu’s paintings have become the target of the children’s studies, covering the quality of their art.