“画家有时不得不去破坏绘画,塞尚这样做了,毕加索通过立体主义这样做了。此后波洛克(Pollock)亦步其后尘,他将我们对图像的观念统统打入冷宫,然后,一种新的绘画应运而生。”——德·库宁(Willem de Kooning)1956如同波普艺术让位于极少主义,观念艺术和后现代主义又将极少主义取而代之一样,抽象表现主义的时代已经悄然成为回忆。关于先锋派的古老争论看来已经让步于现代人的耳朵,让步于“超真”(hyper-reality,即法国思想家鲍德里亚所谓“拟像社会”的“真实”),由媒体艺术所呈现出的这种“超真”极具预示性:绘画将被塞进布满蜘蛛网的历史大厅。也许我们对此并 “Painters sometimes have to go to undermine painting, as Cezanne did, and Picasso did so through Cubism, and then Pollock followed, clutching our vision of the image to the cold, and then New painting came into being. ”- Willem de Kooning 1956 As pop art gives way to minimalism, conceptual art and postmodernism, in turn, minimalism has been replaced by abstract expressionism The era has quietly become memories. The ancient controversy over the avant-garde seems to have given way to the ears of the modern man, compromising on “hyper-reality” (the “real” of the so-called “quasi-social” French thinker Baudrillard) , This “super-real” image presented by media art is highly predictable: the painting will be stuffed into the historic hall covered with cobwebs. Maybe we are right about it