中国传统书画,特别是文人画有时为追求高远清空的境界,在题材上往往较少着眼于日常生活现象,而多少显示出不食人间烟火的倾向。一代艺术宗师吴昌硕,在其画作的选材上,却颇具“万象皆来,献予诗材”的格局和气度。其中和饮食有关的日常生活现象,一直是他描绘和吟咏(题画诗)的热点之一。这既体现了 Chinese traditional calligraphy and painting, especially literati paintings, sometimes pursue the lofty realm of emptiness. In their themes, they tend to focus less on the phenomenon of everyday life and on the contrary, they tend to show a tendency of ignoring human fireworks. A generation of art masters Wu Changshuo, in the selection of his paintings, but quite “all things come, give poem” pattern and tolerance. Among them, diet-related daily life has always been one of the hot spots in his portrayal and chanting. This is reflected