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倒 从观看柔术表演到柔术写生到柔术面创作到柔术画变形到画面的不知所云,钟孺乾前后经历了15年的时间。本文本节却要从被他抽干了的不知所云的画面中退回去,退到柔术的起点、渊源以及被泛化的对象和环境中去。 柔术是女性和女性化的艺术,中国杂技的典范。作为中国文化女性化的特例,它同男扮女妆的戏子、男女皆非的太监以及裹脚女人堪称中国的四大国粹。汉高祖的宠妃戚夫人,能歌善舞,擅长柔术,以致皇帝好几次提出要改立她生的儿了为太子。汉代画像石中的杂技百戏,常见柔术造型,可见其
From watching jiu-jitsu performances to jiu-jitsu sketches to creating jiu-jitsu drawings and converting jiu-jitsu drawings to unobstructed images, Zhong Kui experienced 15 years. This section of this article has to be returned from the unintelligible images that have been drained by him, back to the starting point, origins, and generalized objects and environments of the jujitsu. Jujitsu is a feminine and feminine art, a model of Chinese acrobatics. As a special case of the feminization of Chinese culture, it plays the role of a man’s makeup girl, an unofficial eunuch and a bound woman in China’s top four quintessence. Emperor Han emperor’s concubine, Madam Qi, singing and dancing, good at jujitsu, so many times the emperor proposed to change her birth to a prince. Han Dynasty stone acrobatics 100 drama, a common form of jujitsu, we can see