采访手记:初见汪伊虹是在京城一个炎热的盛夏午后,小雨过后的798依旧暑热难耐。走进事先约好的采访地点景峰画廊,看到已年过七旬的女画家极为瘦削,一头短发,衣着麻质裙子,正独自站在那里欣赏画作,看上去神清气爽。闻听汪老师在此之前从不接受媒体采访,准备过程也颇有些紧张。面对面坐下之后开始交谈,她语速不快,对所提问题非常认真地思考作答。在她所叙述的自己简简单单的生活中,画画是一种自然而然的存在。想画、能画,这也许是对一个画家最淳朴的描述。而她在谈论自己画画这件事上所呈现出的谦逊与真实、大概是此次最深刻的感受吧,正如她一幅画作的名字——圆融境。 Interview notes: First seen Wang Yihong is a hot summer afternoon in the capital, 798 after the rain is still hot and unbearable. In the pre-interviewed interview site Jingfeng Gallery, I saw that the seventy-year-old female painter, who was over 70 years old, was extremely skinny with a short hair and a linen skirt. She stood there and admired the paintings and looked refreshing. Wang Wen heard before this never received media interviews, the preparation process is quite a bit nervous. When she started to talk after sitting face to face, she spoke unpleasantly, thinking very hard about the questions raised. In her simple life she narrates, painting is a natural existence. Painting, painting, perhaps the most honest description of an artist. Her modesty and truth in talking about her painting is probably the most profound feeling of this time, just as her name in a painting - a perfect environment.