戏剧禁毁是戏剧艺术的伴生现象。官方出于更为有效的管控与治理目的,往往对戏剧演出进行禁毁,尤其是对民间演剧,无论是演出时间、地点,还是演出形态、剧种,甚至是演出剧目,都要进行删选与禁毁,由此形成民间演剧严苛的生存环境。然而,由于官方控制的松弛与民间戏班、艺人的抗争立场及其所采取的积极应对策略,从而使二者之间存在着一种“潜在性”调停,这对民间演剧顺利度过禁毁“严冬”并获得长足发展,具有至关重要的作用。 Drama ban is an accompanying phenomenon of drama art. For the purpose of more effective control and administration, officials often ban the theater performances, especially for non-governmental performances, whether it is the time, place, performance style, operetta or even the performance repertory And banned, thus forming a harsh living environment for folk drama. However, there is a “potential” mediation between the two due to the relaxation of official control, the stand-off of anti-folk troupes and artists and their positive coping strategies Prohibit the “winter” and get rapid development, has a vital role.