论文部分内容阅读
当今,设计与绘画不再是两个没有交集的学科,设计的理性与艺术感性相结合已经是一种发展趋势,无论是武星宽教授的绘画作品,还是设计作品,都具有一种独创性。其绘画作品通过水墨重彩的技法和中国传统美学概念中的“似”来传达大象无形的见解;而其建筑设计,通过对历史的理解,解构具象来表现拥有着无上古风的景观建筑。分析武星宽教授对于艺术和设计的独到见解,来感受老先生的设计思想和他对蒙元文化的爱。
Today, design and painting are no longer two disciplines that do not intersect. The combination of rational design and artistic sensibilities has become a trend. Whether it is a painting by Professor Wu Xing-kuan or a design work, it has a unique originality. His paintings convey the invisible view of the elephants through the technique of ink and wash and the “likeness” in the concept of Chinese traditional aesthetics. However, his architectural design shows the landscape without the antiquity through understanding and deconstruction of history building. Analysis of Professor Wu Xingkuan’s unique views on art and design, to feel old Mr. design ideas and his love for the Mongolian culture.