“南北宗论”作为中国绘画史上的重要命题,其自身存在许多论述问题,引起了20世纪众多学者的争论,但是无论“南北宗论”本身有多少不合理之处,就其在清代的影响,以及在20世纪所引发的各种讨论,使我们不能忽视它重要的史学意义,这也是从现代史学和历史哲学出发,对传统艺术史问题的重新反思。 As an important proposition in the history of Chinese painting, the “Northern and Southern Sects” have many existent problems and have aroused the debates among many scholars in the 20th century. However, no matter how many unreasonable places the Northern and Southern Sects The influence in the Qing Dynasty and various discussions triggered in the 20th century prevented us from neglecting its important historical significance. This is also a re-reflection on the issue of traditional art history from the perspective of modern history and philosophy of history.