“五材并举”是中国传统建筑的材料运用原则,即根据各种材料的特性,恰如其分地对其进行运用。土、木、石、砖以及瓦作为传统材料在我国传统建筑中得到应用广泛,后来,随着材料科技的发展,大量新型材料的出现逐步取代这些传统材料的应用。在如今这个极具时代特色的文化大环境下,要求不同的地域文化都富有其个性与生机。地域文化一直以来都是文化范畴中极具重要的一部分,它涵盖着各个地区与民族的历史文脉、社会传统、文化习俗等诸多方面。可是,随着科技、信息、经济的发展,我们大多数人在追求外来文化的同时,对本土的地域文化逐渐模糊与淡忘,很多地域的亲和感和历史的厚重感也正在我们的生活空间中逐渐消逝。本论文以王澍一系列代表建筑作品为例,来探讨如何通过用木、石、砖、瓦等传统材料来表达地域文化。 “Five materials simultaneously” is the principle of material use of traditional Chinese architecture, that is, according to the characteristics of various materials, appropriately applied to it. Soil, wood, stone, brick and tile are widely used as traditional materials in our country's traditional architecture. Later, with the development of materials science and technology, the emergence of a large number of new materials gradually replaced the application of these traditional materials. In today's highly cultural environment with the characteristics of the times, different regional cultures are required to have their own personality and vitality. Regional culture has always been a very important part of the cultural category, which covers various areas and ethnic history, social traditions, cultural practices and many other aspects. However, with the development of science and technology, information and economy, most of us, while pursuing foreign cultures, are gradually obscuring and forgetting about the local culture of our own country. Many of our region's affinities and the heavy sense of history are also in our living space In the fading away. This paper takes Wang Shu's series of representative architectural works as an example to discuss how to express the regional culture by using traditional materials such as wood, stone, brick and tile.