于恩东走的是碑帖结合的路子,他既吸收了碑的刚健、沉实、厚重,又融合了帖的飘逸、洒脱、灵动,从而形成其潇洒飘逸,浑厚古雅、气韵生动、质朴灵动的书法风格。在对北朝碑版、墓志、摩崖取法的同时,他又潜心干“二王”、颜真卿、米芾一路书风,融会贯通,取精用宏,以书焕彩。——广东广州宋晶 Yu Endong is the path of combination of rubbings, he not only absorbed the monument of solid, solid, heavy, but also incorporates the posts of elegant, free and easy, agile, so as to form its chic elegant, vigorous and elegant, vivid charm, simple and agile Calligraphy style. In the Northern Dynasties tablet, epitaph, Cliff method, while he devote himself to “two kings”, Yan Zhenqing, Miriam all the way to the book style, mastery, fine use of macro, the book Shuancai. - Song Jing, Guangzhou, Guangdong