每一位身居南京学习或从事艺术的青年,都会对这座古城在上个世纪八九十年代那场现代艺术运动中的表现记忆犹新,同时还有一丝陌生和神秘。这种陌生和神秘并非因为那场艺术运动本身高深莫测,而是由于南京在“八五”新潮中的爆发犹如一场并不属于这里的戏剧,匆匆上演之后竟再无余音。从此之后,南京的“当代艺术”日益沦陷为形式主义的窠臼和“诗意”的抒发,“江南意象”成为近20年来南京艺术创作的魔咒。排除依赖本能和直觉的少数“天 Everyone in Nanjing who studies or works in art will remember the ancient city’s performance in that modern art movement in the 1980s and 1990s with a stranger and mysterious atmosphere. This unfamiliarity and mystery was not due to the unpredictability of the art movement itself. It was because the outbreak of Nanjing in the ”1985“ wave was like a drama that did not belong here. Since then, the ”Contemporary Art“ in Nanjing has been falling into the mainstream of formalism and the expression of ”poetic“, and ”Jiangnan Image“ has become the curse of Nanjing’s artistic creation in the past 20 years. Exclude the few ”days" that rely on instincts and instincts