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艺术大师的出现并非偶然,它有其深刻的文化背景和社会背景。上个世纪初期,“五四”运动如一声春雷,冲击了数千年的封建束缚,给中国画坛注入一股新的活力,从而诞生了徐悲鸿、黄宾虹、齐白石、潘天寿、李苦禅、李可染等一批艺术大师(这里艺术大师指的是:能继承中国画传统,能有自己独特的艺术语言,能创造格调高雅的个人艺术风貌,三者缺一不可的人。而非当今那些:或自称艺术大师,或哪个画院主席,或画作能卖上百万甚
It is no accident that the masters of art are appearing. It has its profound cultural background and social background. At the beginning of the last century, the May Fourth Movement, such as Chunlei, hit the feudal bondage of thousands of years and infused a new vitality into the Chinese painting circles. Thus, Xu Beihong, Huang Binhong, Qi Baishi, Pan Tianshou, Li Kuchan and Li Keran were born Master of Arts (Master of Arts here refers to: can inherit the tradition of Chinese painting, can have their own unique artistic language, can create elegant style of personal art, the three indispensable person, rather than today: those who claim to be masters of art , Or which Academy Chairman, or painting can sell millions