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在时下这个泛媒体与自媒体时代,要遇上一本你愿意认真对其说点什么的刊物不太容易;要遇上一本你把对它的言说视之为内心的重大任务的艺术类刊物,那要有什么样的幸运才能满足这种奢望?反复翻阅《诗书画》杂志,我渐渐明白该怎样谈论它——这本值得言说的艺术杂志必将成为二十世纪中国文化的悲怆命运的证人和阐释者,同时也是自觉以价值理性之信念与汇融古今中西之学思抗击一切浮词伪说的运思者和开拓者。《诗书画》尤其关注的是二十世纪中国文化的命运,力图探测的是在悲怆命运播弄下的文化传统所曾坠落的深渊。寒碧主编有言:“我个人更关心是
In today’s pan-media and self-media era, it is not easy to meet with a journal that you are willing to say something seriously about; meet an art class that takes you as its central task for what it says Publications, what kind of fortune will we be able to satisfy? If we read the poetry and calligraphy magazine repeatedly, I gradually understand how to talk about it. This commendable art magazine is bound to become the tragic fate of Chinese culture in the twentieth century Witnesses and interpreters, but also consciously with the value of the faith and the wisdom of convergence of ancient and modern Chinese and Western learning thinking against all floating words pseudo-think-who and pioneer. Of particular concern is the fate of Chinese culture in the twentieth century in an attempt to detect the abyss of a cultural tradition that has been sown by the tragic fate. Han Bi editor in chief: ”I personally care more about it