在某些名词之前加上“Vintage”的时候,似乎此物便有了灵感附体的品味,因此,许多时尚品牌总喜欢拿“复古”说事。然而,鲜活的“复古”是做到了骨子里却看不出精致的闷骚。闷骚是需要高品味的,否则便极易流于恶俗。建筑的体量与内外之观都在那里,无论面对时间与空间都不是一道简单的算题。“复古”有太多的名词在艺术史里扑腾:巴洛克、现代主义、新古典、新艺术……不一而足。建筑师们选择巧借风格之力,还是无为而治给“复古”带来新生,不仅在于自身的功力,更重要的还在于对原有建筑存在历史和环境,自身材质、结构和作用独 When adding “Vintage” before some nouns, it seems that the object has the inspirational taste, so many fashion brands always like to say “vintage”. However, fresh “retro” is done in the bones but do not see exquisite Mensao. Mensao is the need for high taste, or easily flow in vulgar. The volume of the building and the concept of both inside and outside are there, no matter in the face of time and space is not a simple calculation. There are too many nouns in the art history: Baroque, modernism, neo-classical, new art .... Architects choose to use the power of style, or do nothing to give “retro ” to bring new life, not only lies in their own skill, more important still lies in the existence of the original architecture history and environment, its own material, structure and function alone