“面朝黄土背朝天”是农耕文化的社会历史缩影。在这里,沉积了古老黄土地深沉的社会文化,它紧密连接着人的生存状态,生命的轮回和死亡的归宿成为循环。当然,这不仅是永恒命题,同时也是快速现代化发展进程中,个体存在与历史沉淀的关系。艺术不是简单的反映论,必须从内在精神系统中去寻找视觉化的逻辑关系,从而让黄土根脉现场开启出新的精神语意,艺术家李继开正是在年界四十之际,从“黄土的根脉”出发,去探寻新场域,挑战自我为艺术创造提供了一种可能。如果仅从中国东西部社会、地域、文化、历史、经济差异来区分,会 “Facing the loess back to the sky ” is a microcosm of the social history of farming culture. Here, the deep social culture of ancient loess has been deposited, which is closely connected with the living conditions of human beings. The reincarnation of life and the fate of death become a cycle. Of course, this is not only an eternal proposition, but also the relationship between individual existence and historical precipitation in the process of rapid modernization. Art is not simply a reflection theory. It is imperative to find visual logic relations from the inner spiritual system so that the loess roots can open a new spiritual sentiment in the field. The artist Li Jikai opened the scene of the loess Roots "set out, to explore new areas, to challenge the self for the creation of art provides a possibility. If only from the eastern and western social, geographical, cultural, historical, economic differences to distinguish, will