在中国油画业界总会碰到一种很奇怪的现象,就是一谈到“民族化”抑或“中国油画”就会对此嗤之以鼻,似乎“中国油画”就是在当今中国特殊时代语境理论匮乏、思想保守以及民族主义的狭隘意识中的特殊产物,这种现象的确值得三思。一、精神之灵魂离开自己(民族)的传统文化能不能成为一名优秀画家?从民族传统文化中要弄出有现实意义艺术的可能性是否还存在?这是否极为狭隘和保守?“民族化”误导性是否不言而喻?也就是说,我们处于一个全球化时代,需要积极参加其中并超越自身传统文化的界限,开创我们特定时代的特定艺术,发现更多问题,创造出更多的解决方法。很显然,立足传统文化与艺术绝不是朝向狭隘的地域和过去的传统中去发展,艺术文化和学术思想的最终价值决不仅仅表现为审 It is a strange phenomenon that the Chinese oil painting industry always encounters a phenomenon of “nationalization” or “Chinese oil painting” that will scoff at it. It seems that “Chinese oil painting” is a special phenomenon in today’s China It is indeed worthwhile to think twice about the lack of contextual theory of the times, the conservative thinking and the narrow nationalist narrative. Is it possible for a spiritual soul to leave its own (national) traditional culture as an outstanding painter? Is there any possibility of making a realistic art from the national traditional culture? Is it very narrow and conservative? That is to say, we are in a time of globalization, we must actively participate in and go beyond the boundaries of our own traditional culture, create specific art in our particular era, find more problems and create more Many solutions. Obviously, based on traditional culture and art, it is by no means developed toward a narrow area and past tradition. The ultimate value of art culture and academic thinking is by no means limited to trial