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对直接从说话脱胎而来的章回小说而言,发生在宋元以来的乱世传奇正是其展开想象最直接的现实基础。可以说,兴起时的章回小说几乎都潜隐着一个渊源于“说铁骑儿”的叙述原型,以乱世为背景,所述者都不过是英雄如何收群盗之用以有天下,而将大量散落在烟粉、灵怪、朴刀、杆棒、公案中的故事,穿插在江湖角逐、朝代兴废的历史结构中,以巨幅长篇,重新演绎了市井中人发迹变泰的欲望;换言之,这些小说将历史秩序的变迁与宇宙秩序的变迁联系起来,在富贵声色的角逐中重新书写了市民主体对自我存在的思考。章回小说的主人公不断被市民化,并热衷于以“结义”相纽结,也正在于此。
For Zhang Hui’s novels, born directly from the story, the legendary chaos happened since the Song and Yuan dynasties is the most direct and realistic basis for its imagination. It can be said that almost all of the novels of the time of the rise have a hidden prototype of a narrative originating from “iron rider.” In the context of troubled times, these are no more than how the heroes used to gain access to the world, Will be a large number of scattered in the smoke, the spirit of strange, Pudao, rod, the case of the story interspersed with rivers and lakes, the dynasty of the historic structure of the rise and fall, with huge lengthy, re-interpretation of the marketplace of the fortunes of Thai desire; In other words, these novels linked the vicissitudes of the historical order with the changes in the cosmic order and rewritten the thinking of the citizens on the existence of self in the rich and colorful competitions. The hero of the novels is constantly being popularized, and is keen to “knot” the knot, but also in this.