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一部中国绘画史,从其表现形式上看,既难以找到西方绘画史那样显而易见的发展轨迹,亦不能用自律与他律来严格意义地界定其本体特性。中国文化崇尚合和会通,和条分析缕、逻辑严明的西学相比,很容易产生落后于人的错觉。中国传统绘画最终由文人阶层来促成,并走上一条绘画与诗文、书法等共结同盟而终归于天人性命之人格修养的奇特融合的道路。然而,此状况在近代风起云涌的
From the perspective of its manifestations, a history of Chinese painting can hardly find an obvious trajectory of development as in the history of Western painting. Nor can it define its ontological traits strictly in the sense of self-discipline and other disciplines. Chinese culture advocates harmony and cooperation, compared with the analysis of western logic with rigorous logic, it is easy to produce the illusion behind the people. Chinese traditional painting was ultimately promoted by the literati class, and embarked on a unique fusion of painting and poetry, calligraphy and other conjoined alliances that finally ended in the personality trait of heaven and human life. However, this situation has surged in modern times