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通过对现代京剧《智取威虎山》音乐的分析,知其在音乐中,运用了支声复调(加花变奏),在快速、中速、慢速唱腔中拖腔长音处使用了填充式复调形式,在拖腔中、唱腔声部中的对比复调形式,有音型化织体与唱腔声部形成的对比复调形式,有京剧弦乐声部演奏的过门中的对比复调形式等。共有十四处左右的位置使用了对比复调技术;使用了三处严格模仿复调技术;一处自由模仿技术;五处帕斯卡利亚变奏复调技术。通过分析,能帮助我们了解在何种情况下恰如其分地运用复调技术表现手段,为在创作中加以参考与借鉴。
Through the analysis of the modern Peking Opera “Zhi Wei Wei Hu Shan” music, knowing that in the music, the use of the support polyphony (plus flowers variation), in the fast, medium speed, slow singing in the long sound pad used at the filling Polyphonic form, in the dragging chamber, the vocal part of the contrast polyphony form, there is a combination of polyphonic fabric and vocal part of the form of polyphony, with the Beijing Opera string music played across the door of the polyphonic Form and so on. A total of fourteen or so use the contrast polyphony technology; the use of three strict imitation polyphony technology; a free imitation technology; five Pascal Variations polyphonic technology. Through the analysis, can help us understand the circumstances under which the proper use of polyphonic techniques of performance means for reference in the creation of reference.