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清代晚期女装图案在纹饰、色彩、构图上都变得越来越精细、艳丽和繁复,形成了特定的装饰语言。同时在清末,满、汉两族女装图案在装饰风格上产生了相互融合的美,本文就以上问题进行了研究和论述。
The late Qing dynasty women's patterns in decoration, color, composition have become more sophisticated, colorful and complicated, the formation of a specific decorative language. At the same time, in the late Qing Dynasty, Manchu and Han nationality women's dresses produced the beauty of blending with each other in the decorative style. This paper studies and discusses the above problems.