不能以先锋 /实验的图式去预设《红》的阅读 ,那无疑会造成阅读上期待视野的落空。在这一点上 ,《红》与《白》、《蓝》一样 ,体现的是潘军对叙事这一动宾词汇及其现实动作的哲学上的理解 ,虽然 ,潘军做到这一切并不是以牺牲叙事的本体地位为代价的 ,他使用了结构主义的叙事策 Can not preset “red” reading with avant-garde / experimental schema, which undoubtedly will lead to the failure of reading the horizon of expectations. At this point, “Red”, like “White” and “Blue,” embodies Pan Jun’s philosophical understanding of the verb and the real action of narrative, though Pan Jun does all this not because of At the expense of the ontological status of narrative, he used structuralist narrative strategies