明代是一个戏曲繁荣的时代,明代的戏曲评点也是一个高峰。在明代之前,评点只应用于诗文,所以明代的戏曲评点在中国文论史上,无疑是一种新兴事物。虽然属于新兴事物,但是它却继承和发扬了传统美学的精髓和内涵。“三略三得”理念即体现了传统美学观念在戏曲评点上的应用、投射和铺展。 The Ming Dynasty is a period of drama prosperity, the opera commentary in the Ming Dynasty is also a peak. Before the Ming Dynasty, the commentaries were only applied to poetry, so the commentary on opera in the Ming Dynasty was undoubtedly a new thing in the history of Chinese literary theory. Although it belongs to something new, it inherits and carries forward the essence and connotation of traditional aesthetics. The concept of “three strategies and three strategies” embodies the application, projection and spreading of the traditional aesthetic concepts in the commentary of opera.