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一为什么千百年前的作品看上去那样清新? 为什么没有一块具体的石头,没有一棵具体的草,却也会使我们感到亲切? 为什么勤劳一生竟在重复着“一个”没有价值的形象? 为什么天南地北的脸孔都一样? 为什么墨迹未干便满纸霉气? 为什么“怀斯风”刚过,“圣母风”又弥漫了中国? 无论怎样开脱,这些现象是存在的。我无意解释—在艺术方面,从来就存在着认识上的分歧。研究、座谈、讨论、批判、对话……这样的工作似乎做了不少,可所有的结果是:各抒己见。学术上的切磋,只有在相通或相同意识的人之间才有可能展开。没有年令差异,对于未来,我们都是老人。每个人的意见都是属于每个人的,都属于他那一时期,那一阶段,或他特指的那个问题。因此,很大程度是“片面的”,所以还是那句俗话“大路通天,各走一边”。
Why a thousand years ago works look so fresh? Why not a concrete stone, there is no a specific grass, but it will make us feel warm. Why hard-working life is repeated in the “one” worthless image? Why are the faces of Heaven and Earth to be the same? Why the ink is full of bad luck? Why “Wise” just passed, “Virgin of the wind” and filled China? No matter how the liberation of these phenomena exist. I have no intention to explain - in the arts, there has always been a difference of understanding. Research, discussion, discussion, criticism, dialogue ... This work seems to have done a lot, but all the results are: express their opinions. Academic discussions are only possible between people who share the same or the same awareness. No difference between the years, for the future, we are all elderly. Everyone’s opinion belongs to everyone and belongs to that period, that period, or the one he refers to. Therefore, a large extent is “one-sided”, so it is still the saying that “all roads lead to each side.”