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萧关位于中原与西北部少数民族政权分界的边缘,在农耕文化和草原文化的结合带上,是关中通往塞外、西域之道上的一处险隘。《全唐诗》中描写萧关或者诗中出现萧关意象的诗共有四十多首,可以说唐代是自秦汉以来抒写萧关意象的首次高峰期。本文将从分析萧关的位置入手,从战争、思妇情结、景观描述与民俗风情这四个方面来探究唐诗中萧关意象所蕴含的文化内涵。
Located on the edge of the dividing line between the ethnic minorities in the Central Plains and the northwestern part of the country, Hsiao Kwan is a dangerous pass between the Guanzhong and the Western Regions in the combination of farming culture and grassland culture. There are more than 40 poems in the whole Tang poetry that depict Xiao Guan or Xiao Guan’s image in the poem. It can be said that the Tang Dynasty is the first peak of describing the image of Xiao Guan since the Qin and Han dynasties. This article will start with the analysis of Xiao Guan’s position and explore the cultural connotation contained in Xiao Guan’s image in Tang poetry from the four aspects of war, the complex of thinking woman, landscape description and folk customs.