大约在10年前,《戏剧》杂志刊登了一篇题为《走进田汉》的文章,文笔空灵,观点新颖,作者通过对田汉的身世、作品,特别是波希米亚情结的解剖,从审美感受入手进入了田汉的精神世界,那篇文章使人在社会历史评价之外,看到审美和情感批评的一线曙光。这篇文章的作者就是中央戏 About a decade ago, Theatrical magazine published an essay titled “Into Tian Han,” with an ethereal essay and novel point of view. By analyzing the story of Tian Han’s life and works, especially the bohemian complex, The aesthetic experience started to enter the spiritual world of Tian Han, and that article made people see the dawn of aesthetic criticism and emotional criticism beyond the social and historical evaluation. The author of this article is the Central Opera