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“艺术与技术的创造”:20世纪中期欧洲壁纸(下)20世纪中叶的西欧装饰设计在整体上沉浸于一种可以称之为“良善设计”(Good Design)的艺术追求中,其最初主要是在瑞典形成了鲜明影响,以一些设计类杂志为中介,譬如杂志《形式》(Form)等,形成了一定的社会化态度,致力于促进传统意义上的“艺术家”与壁纸工业制造者之间的联姻与嫁接。1 953年,《形式》还专门发起了一次壁纸设计竞赛,参赛作品约800余件,其大奖获得者为设计师格兰(Gerd Goelan),其作品被当时瑞典壁纸制作商投入生产。这类竞赛无疑活化和促进了当时瑞典壁纸装饰设计的展开,其成效是不容忽
“Creation of Art and Technology ”: European Wallpapers of the Middle of the 20th Century (Part 2) Western European decorative designs of the mid-20th century are as a whole immersed in an art quest that can be called “Good Design” , Which initially formed a sharp influence mainly in Sweden. Some design magazines as an intermediary, such as the magazine “Form”, formed a certain degree of socialization and committed themselves to promoting the traditional “artist ”Marriage and grafting with makers of wallpaper industry. In 953, Form formally launched a wallpaper design competition with more than 800 entries. Its winner was Gerd Goelan, whose work was put into production by the then Swedish wallpaper maker. Such competition undoubtedly activated and promoted the development of Swedish wallpaper decorative design at that time, and its effectiveness was not to be neglected.