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看过京剧演员关肃霜最近的演出的人,都会有一个共同的观感:这位以能够掌握京剧艺术的多方面的表演手段见长,被称誉为“多面手”的优秀演员,在艺术上又达到了新的水平,在具有自己独特风格特色的创造道路上,又跨进了可喜的一步。对于关肃霜,这样的评价也许是不过分的:一个不能不受到年龄和身体条件的限制和影响的五十多岁的女演员,在被人为地中断了传统剧目演出达十多年之久以后,竟然能够以这样的不畏艰难的精神和毅力,不但迅速恢复了过去的表演能力,而且继续有所创造,有所前进,在奋力攀登表演艺术的新高峰的征途上,又跃上了新的高度。这一点,我想凡是看过她演出的新整理的剧目《铁弓缘》以及其他一些剧目的人,都是会具有同感的。对于一个在年龄上已经越过了自己的黄金时代的女演员,这应当是十分难能可贵的。
People who have seen the recent performance of the Beijing Opera performer Guan Suk Frost have a common perception: this outstanding actor who has been praised as a “versatile” artist for his ability to master various aspects of the art of Peking Opera has reached a new stage in art The level, in its own unique style of creation on the road, has stepped into a welcome step. For Kwan Suk Frost, such an assessment may not be excessive: a 50-year-old actress who can not but be restrained and influenced by age and physical conditions has been artificially interrupted for more than 10 years after performing traditional repertoire, Even with such daunting spirit and perseverance, not only can the performance abilities of the past be promptly restored, but the creative ability of the performing arts has continued to rise and the new peak of performing arts has been struggling to climb up. height. At this point, I think people who have seen the newly-completed repertory “Tie Tieyuan” and other repertory shows she has performed will share the same feeling. It should be very commendable for an actress who has crossed his golden age in his age.