中国有多少画画儿的?你到太行、沂蒙看一看。中国有多少学画儿的?你到宏村、西递走一圈。可以说漫山遍野、古城街巷都是手提画箱,握笔挥毫的艺术信徒,还不算留在校园、蛰伏在画室的面壁者。人数之多,需以万计,但优秀的画家并不多,大师更是寥寥,究其原因,除社会的审美趣味每况愈下、媒体的误导外,中国的美术教育一直被大家所诟病。首先是僵化的应试招生标准,几十年来招生考试内容的弊端大家一目了然,死记硬背几个套路,临阵磨枪都有效果,通过考试根本看不出学生的素质,艺术在刚刚起步之时便被扭曲扼杀在摇篮里,对录取和没录取的考生今后的道路产生着难以估量的不良影响。为求升学,学生只知道考什么练什么,根本不会重 How many Chinese paintings? You go to Taihang, Yimeng take a look. How many children learn to draw Chinese? You to Hongcun, Xidi walk in a circle. Can be said that the mountains and plains, the ancient city streets and lanes are hand-painted boxes, brush pen brush art believers, not to be left in the campus, dormant in the studio wall. However, there are not many outstanding painters and few masters. The reason is that, apart from the deteriorating social aesthetic taste and misleading media, the art education in China has been criticized by all. The first is the rigid standard of admissions examination, the shortcomings of the contents of the entrance examination for decades Debriefing at a glance, Rarely written a few routines, the effect of grinding the gun have no effect, pass the exam can not see the quality of students, art has just begun when it was distorted Strangling in the cradle, there are incalculable adverse effects on the way forward for admitted and unsuccessful candidates. In order to further their studies, students only know what to do with what they test, and they will not be heavy at all