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解放以后的舞台美术,如果与解放前相比較,特別在戏曲的舞台面貌上,是有着显著的进步,应該说已经起了根本性质的变化。在过去的戏曲舞台上,一方面因陋就简,破烂不堪;另方面机关布景,光怪陆离。今天,这两种情况都有了改进,舞台艺术正沿着現实主义的健康道路向前發展。戏剧界經过整風、反右派之后,掀起了创作和艺术实践上的大跃进,和政冶上思想上的大革命,这一新的形势反映在戏剧艺术上,就是新的人物、新的思想、新的内容,十分突出地出現在舞台上。为了更完美的表現这些,应該表里一致,内容与形式統一。因此,舞台艺术的美化。是不能够忽視的了。
After the liberation of the stage art, compared with before the liberation, especially in the stage of the drama is a significant progress, it should be said that has taken a fundamental qualitative change. In the past drama stage, on the one hand, due to simple, dilapidated; the other sets the scenery, bizarre. Today both have improved, and the stage art is moving along the path of realist health. After the rectification and the anti-rightist movement, the dramatic world set off a great leap forward in artistic creation and practice and a political revolution in ideology. This new situation, reflected in drama art, is a new figure, a new thought, The new content is very prominent on the stage. In order to perfect the performance of these, should be consistent, content and form of unity. Therefore, the beautification of the stage art. Can not be ignored.