“生活是创作的源泉。”我还是遵循这个原则去进行戏剧创作实践的。近几年来,随着戏剧观念的更新,“源泉”的提法似乎不那么理直气壮了,甚至有人对此提出非异。有人主张在戏剧创作上要强烈地“表现自我”,要顽强地用“主观意识”去左右观众的审美情趣,等等。我学识极浅,不想、也没有能力对这些戏剧观念评头论足。但是,我认为,“表现自我”也好,“主观意识的表露”也好,如果这种“自我”脱离当今社会实际太远,这种“主观”距人民要求太大,那么,我想这种戏剧创作恐难以在舞台上征服观众吧!我是一个长期工作在基层的戏剧工作者,更多的时间是和农村的干部、群众交往。职业需要我了解他 “Life is the source of creation.” I still follow this principle to practice drama creation. In recent years, with the renewal of the concept of drama, the formulation of “source” seems to be less righteous. Some people even made the same remark. Some people advocate strongly expressing “self” in dramatic creation and tenaciously using the “subjective consciousness” to influence the audience’s aesthetic taste. I learned very shallow, do not want, there is no ability to comment on these dramatic concepts enough. However, I think it is better to “show the ego” or “show the subjective consciousness.” If this kind of “self” is too far from the present society and such “subjective” demands too much from the people, then I think this It’s hard to conquer the audience on stage! I am a dramatist who has long been working at the grassroots level. I spend more time with rural cadres and the masses. I need to understand him professionally