水印木刻有着不同寻常的身份,早前它依附在水墨造型的理念中,以线为主,但平面的设色以及局部的渲染,还有湿润的拓印质地,更有刀和木版的独特语言方式。这样硬朗和流畅,平面和丰富,在这里演绎着难得的表现形式。雅致、精巧形成了水印的品质。而后却又寄古在市民堆里,成了年画的图式存在。一下转变成粗放、率直的性格,艳丽的色彩更显热情,用刀天朴无忌。比之典雅的十竹斋水印笺谱,有了别样的可爱之处。新兴的意识也随之彻底变换,以体积为主要造型手段,“脸上长毛”的现象,让老百姓不喜欢,却让年轻的版画家 Watermark woodcut has an unusual identity, earlier it attached to the concept of ink modeling, the main line, but the flat color and local rendering, as well as moist rubbing texture, more knife and wood version of the unique language the way. So tough and fluid, flat and rich, deduced a rare manifestation here. Elegant, sophisticated watermark formed a quality. Later, however, it was sent to citizens in ancient heaps and became the schema of New Year’s paintings. About into a rough, straightforward character, gorgeous color even more passionate, knife Sudden ambiguous. Than the elegant ten bamboo vegetarian watermark 笺, with a different kind of cute place. Emerging awareness also will be completely transformed to the volume as the main modeling tools, “long hair, ” phenomenon, so that people do not like, but let young printmaker