论文部分内容阅读
照相机在某种程度上好比战场中的枪支,摄影者对准目标按下快门,从敏锐的发现到果断的决定,霎时将瞬间变为永恒。长期以来摄影这项工作均以男性为主,但在170多年的摄影历史中,女性摄影师是细腻而相对神秘的存在,她们在以独特视角记录历史的同时,也不断通过摄影媒介扩张女性角色和女性主义的价值。近期纽约现代博物馆举行的这场大型的女性现代摄影历史展,汇集了从19世纪中期至今120名女性摄影师的200余件重要作品,其中包括Anna Atkins、Diane Arbus、Berenice Abbott、Claude Cahun、ImogenCunningham、Rineke Dijkstra等,将女性摄影的脉络清晰地呈现。
The camera is somewhat like a gun in the battlefield, the photographer aiming at the target presses the shutter, from sharp discovery to decisive decision, instantaneously turning instant into eternity. For a long time, the work of photography was dominated by men. However, in the more than 170 years of photographic history, the female photographers are exquisite and relatively mysterious. While they record their history from a unique perspective, they constantly expand the female role through the media And the value of feminism. A recent large exhibition of contemporary women’s photography at the Museum of Modern New York brings together over 200 important works by 120 female photographers since the mid-19th century, including Anna Atkins, Diane Arbus, Berenice Abbott, Claude Cahun, Imogen Cunningham , Rineke Dijkstra, etc., will clearly show the context of the female photography.