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1992年初冬,文化部等6个部委联合举办了第二届全国儿童剧(录像)评比活动。参加这次活动的有25个团体,演出了28台剧目。若与10年前即1982年首届全国儿童剧观摩演出之有39个团体参加、演出43个剧目的浩大声势相对比,无论在参加剧团的数量上或演出的规模上,显然大大缩小了。然而,无论从题材的开拓或是导演、表演、舞台美术的推进等各个方面来看,却均有重要的探索与长足的进展。当全国话剧走入低谷的时刻,儿童戏剧这支并不强大的队伍在艰难地踏实地迈进。本文仅就这次评奖剧目中的童话剧略述一二。10年前的儿童剧汇演43个剧目中仅有5台童话剧,而这次的28台中竟有8台之多。我认为,这不仅是数字的增长,这反映了儿童剧观念的转变,是对童话剧功能与魅力的重新认识的体现。多年来,儿童剧队伍中流行着一种抓剧目的指导思想:现实题材与童话剧相比较,以现实题材为主。总觉得童话剧不能迅速反映现实,离
In the early winter of 1992, six ministries and commissions such as the Ministry of Culture jointly organized the second national children’s play (video) competition. There were 25 groups participating in the event, performing 28 plays. If 39 groups of the 43 national operas were watched 10 years ago, that is, the first National Children’s Theater to be watched in 1982, the vastness of the performance compared to the number of the troupes participated or the size of the show apparently greatly reduced. However, no matter from the development of the subject matter or the promotion of the director, performance, stage art, etc., all have important exploration and great progress. At a time when national drama came to a downturn, this not-so-powerful team of children’s plays was steadily moving forward steadily. This article only on the award-winning repertoire of fairy tales one or two. There were only five fairy tales out of 43 plays in the children’s drama 10 years ago, compared with 8 in this time. In my opinion, this is not only a numerical increase, which reflects the shift in the concept of children’s play and is a manifestation of the re-understanding of the function and charm of fairy tales. Over the years, there has been a popular guiding ideology of juvenile playteams in catching drama: the realistic themes are compared with fairy tales, and the main themes are realistic themes. Always think fairy tale can not quickly reflect the reality, away from