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这几年理论家开过多次会,但研讨的对象大都是美术实践的诸般现象。美术思潮、创作倾向、流派风格等一直是理论会议的“热门话题”。当理论思维从指向创作反为审视自身时,理论家无不感到相比评点创作颇有“身在此山”的困顿。只有站在更高的理论位格才能把握当今美术理论的态势,廓清今后理论思维和建设的脉络——1988年11月中旬在杭州召开的“当
In recent years, theorists have held many meetings, but the subjects of the discussions are mostly the phenomena of art practice. Art trends, creative tendency, genre style has always been a “hot topic” of theoretical conferences. When the theoretical thinking is from the point of view of creation against the self-examination, the theorists all feel quite “dwelling in this mountain” compared to the creation of the critical point. Only when we stand at a higher theoretical position can we grasp the trend of contemporary art theory and outline the theoretical thinking and construction in the future - in mid-November 1988 in Hangzhou,