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《淮南子》的“文”“质”论是对中国传统文艺思想中“文”、“质”关系的传承与发展,他以“必有其质,乃为之文”为主张,区分了自然成“文”与刻意做“文”的不同;以“文情理通”为论述要点,实现了文质关系在审美领域内的延展。从对文艺领域内问题的揭示直至在深层意义上对于个体生命情感的关注;从对审美理想的描绘直至在现实层面上对为政者孜孜不倦地告诫;它针对文艺领域而发又不仅仅囿于文艺领域之内,融合之前的文质观念,为文质论的深层阐释提供了可资借鉴的因素。
The theory of “quality” in “Huai Nan Zi” is the inheritance and development of the relationship between “quality” and “quality” in Chinese traditional literature and art. For the article “as the proposition, the distinction between the natural into ” “text and” deliberately do “text ” difference; to “literary theory through ” as the main point of discussion, to achieve the relationship between the text quality in the aesthetic field Extend. From the revelation of the problems in literary and art fields to the concerns of individual life and emotions in the deep sense; from the depiction of aesthetic ideals to the deeds of political diligence on the practical level; it is not limited to literary and artistic fields, Within the field of literature and art, the concept of quality before integration provides a reference factor for the deep interpretation of the theory of quality.