随着清乾隆、嘉庆时期以来考据学的兴起,文人的兴趣多转向碑版石刻,而许多造像碑、石窟造像又多有题记,故清代的金石书内连带也著录了许多佛造像。云冈、龙门、天龙山等石窟的佛造像为世界所注目也不过是近七八十年的事。如20世纪20年代日本关野贞、常盘大定《支那佛教史迹》,以及30年代瑞典喜仁龙《中国佛教雕刻》等,都是最早利用摄影技术向世界介绍中国佛教雕刻的大型图录。在这些图录中可看到,云冈、龙 With the rise of Textual Criticism since the Qianlong era and the Jiaqing period, most of the writers’ interests turned to tablet stone inscriptions. Many statues of stone sculptures and cave statues have many inscriptions. Therefore, many statues of Buddha statues were also recorded in the Qing stone books. Buddha statues of Yungang, Longmen, Tianlongshan and other grottoes are noticed by the world for only about 70-80 years. Such as the Japanese in the 1920s Kuan Ye Jin, Tokiwa Dading “Buddhist monuments,” and the 1930s, Sweden Xi Renlong “Chinese Buddhist carvings”, are the first to use photography to introduce the world Chinese Buddhist carving large catalog. In these catalogs can be seen, Yungang, dragon