他影片中的女主角拿看一枚鱼钩自残身体的表演令影院中的邵分观众晕厥;他拍摄时间仅花费一周的影片放映到70分钟时才有第一句三字对白;他动用1 8部摄影机在200分钟内完成的故事表达了电影改变意识形态的观点。边缘和女性是他的关注对象,符号和暗喻是他的表达方式,暴力和残酷是他的电影美学,沉默和失语是他的人物对白,这是一位韩国本土市场最为另类的导演,没有票房却多得奖项。然而在奖项也离弃他的日子,他丢失了自己,寻找自我的途径有很多,在死亡和电影这两种方式中,经过艰苦抉择的他选择了更难的后者。 His actress taking a self-mutilating hook in his film made Shaoian audience fainted in the cinema; the first sentence of his three-character dialogue was only 70 minutes after his filming took only a week. He used 1 The story of eight cameras completed in 200 minutes expresses the movie’s vision of changing ideology. Fringe and feminine are his objects of attention, symbols and metaphors are his way of expression, violence and cruelty are his aesthetics of film, silence and aphasia are his character dialogue, this is a South Korean home market, the most alternative director, there is no box office But more awards. However, when the prize was forsaken, he lost himself and there were many ways to find himself. In the two ways of death and film, after hard choices, he chose the harder the latter.